Find out more about camera lens aberration.

An Entry-Level Kit

1. skylight or UV
2. 81A or Tiffen 812 warming
3. polarizer
4. No. 8 Yellow
5. No. 11 Green
6. step-up/step-down rings to fit filters to all lens sizes
7. appropriate lens hoods for all lenses

Intermediate Kit

1. skylight or LTV
2. 81A or Tiffen 812 for warming polarizer
3. N/D .50
4. CC 30R for fluorescents
5. No. 8 Yellow
6. No. 11 Green
7. No. 25 Red for infrared or dramatic sky
8. several special-effects filters selected to enhance often photographed subjects
9. step-up/step-down rings
10. lens hoods for each lens

Advanced Amateur or Professional Kit

1. skylight or UV
2. CC 30R or FL filter
3. polarizes
4. set of light-balancing 80 and 85 series filters
5. No. 8 Yellow
6. No. 11 Green
7. No. 21 Orange
8. No. 25 Red
9. No. 47 Blue
10. No. 58 Green
11. neutral density filters to 2.0 or a variable N/D filter
12. numerous special-effects filters, front-lens attachments, and adapters
13. step-up/step-down rings to fit filters to all lenses
14. lens hoods for each lens

Find out more about camera filters.

To compensate in the processing for pulling or pushing E-6 films, you need only alter the time for the first developer and, with some processing kits, the color developer. Film pushed more than one stop, however, exhausts the first developer—discard it after one use.

Find out more about pushing and pulling in film photography.

1. Virtually immediate results

2. Film can be used in any 35mm camera

3. Accurate color rendition

4. Better reciprocity performance than conventional color film

5. Very good overexposure performance

Disadvantages

1. Relatively slow—ISO 40

2. Visible grain, especially in shadow areas

3. Off-the-film metering produces incorrect readings

4. Very delicate film surface susceptible to damage

5. High cost per slide

6. Polaroid Autoprocessor must be used to develop slides

film photography

camera filters

Which film is best? Again, it comes down to a matter of personal taste in which the subjective character of each film, such as the appearance of grain (e.g., smooth and creamy with Fuji emulsions or the more aggressive, sharp-edged Kodak structure), becomes the deciding factor.

No matter how much objective numerical data we accumulate, it is your eye and mind that should remain the ultimate judge. This is not to say objective data is not useful, for it most certainly is; it helps narrow down the field. Examine the test information—lines per millimeter, percent contrast, MTF curves, and the like—but pay as much attention to the sometimes conflicting subjective impressions.

film photography

In order to overcome this, almost all the camera nowadays come with autofocus option. Simply by half press the shutter and the focus distance would be lock exactly on where you point at. Some camera also allow you to choose the focusing point. Choose the right focusing point, aim at the intended subject, half press the shuttle, and usually there will be a red color box turn green in the viewfinder. Continue half pressing and start framing your shot. Once framing is done, full press the shutter and it is done.

find out about camera zone focusing

Some tips to finding good subject for photography.

1. Start at home – You need not have to travel further than your own garden to find suitable subjects.
2. Take note of the color – Take a second look at objects that other people would take for granted. This simple image of a weathered gate with a lock and chain is effective because the bright yellow of the lock is a color that is complementary to the expanse of blue.
3. Practice with candid photography – Portraits make powerful and direct subjects that elicit immediate emotional responses.

Photography tips

• Put you elbow on some hard surface, such as table – A stable horizontal surface, such as table or bench can provide a handy support that will help you keep your camera steady.
• Try to take the picture while lying down – Try some low viewpoint, one of the easiest available tool is the camera bag. Try taking photo with the camera lay on the camera bag, just make sure that the flaps and buckles do not obstruct the lens.
• Tuck in your elbow – If you have to take the photo standing up, make sure that the strap is around your neck all the time and try tuck in your elbow for extra stability.
• Holding the camera against a wall – Try hold the camera against some solid surface such a wall or a tree trunk and this can help to reduce camera shake.
• More accesories – Other than camera tripod, sometimes you would also need a release cable. This is because, even with a camera tripod, the moment we press on the shuttle button, it will also causes some camera shake, in this case, the cable release will play a vital role. If cable release is not available, try to set the self timer which would give us the same effect. Other than that, you can also try to get a monopod which is not so bulky and travel friendly or clamp if space is limited.

photography tips

For example, when trying to capture a fast moving cyclist, a slow shutter of 1/8 second would not be able to capture any detail, you will need a fast shutter speed that is faster than 1/300 seconds, depending on the speed of the cyclist. A fast shutter speed would then freezes the action and keeps the sense of movement.

Try to capture the movement of water with fast shutter speed, and you will be able to see a picture with the movement of water freeze. However, if we use a slow shutter speed to capture the movement of water, the picture would have the water appeared to be blurred, sometimes showing a wonderful pictures. Try it out and understand more about camera shutter speed.

Camera Shutter Speed